Liu (February 7, 1948 – August 7, 2021) is known for her paintings drawn from Chinese historical photography and often depicts such elemental human activities as laboring, eating, journeying, leaping, fighting and dreaming. With an overlay of traditional Chinese birds, flowers, insects, dragons, and stylized human figures, Liu offers her subjects artistic evidence of their own rich heritage – as if to remind or comfort them. The photorealism of the works is tempered by Liu’s technique of diluting her paint with linseed oil, which is then dripped onto the surface, blurring and distorting the portrait. The painting becomes akin to a memory image, and much of the meaning of Liu’s painting comes from the way the washes and drips dissolve the photo-based images, working to uncover the cultural and personal narratives. Liu’s works have been exhibited extensively and collected by the San Francisco Museum of Modern Art, the Whitney Museum of American Art, New York, the Metropolitan Museum of Art, New York, the National Gallery of Art, Washington, D.C., the Asian Art Museum of San Francisco, and the Los Angeles County Museum, among others.
- 1999
- 1997
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Born 1948 in Changchun, China.
Died 2021 in Oakland, California.
EDUCATION
MFA, Visual Arts, University of California at San Diego, 1986
MFA equivalent, Mural Painting, Central Academy of Fine Art, Beijing, China, 1981
BFA, Education, Beijing Teachers College, 1975
SOLO EXHIBITIONS
2017
Hung Liu: Promised Land, Rena Bransten Gallery, San Francisco, CA
Hung Liu: American Exodus, University of Wyoming Art Museum, University of Wyoming, Laramie, WY
2016-17
Scales of History, Fresno Art Museum, Fresno, CA
2016
Hung Liu: Daughter of China, Resident Alien, American University Museum at the Katzen Arts Center, Washington, DC
Hung Liu: American Exodus, Nancy Hoffman Gallery, New York, NY
Drifters: Hung Liu, Gail Severn Gallery, Ketchum, ID
2015
Dandelion, Walter Maciel Gallery, Culiver City, Los Angeles, California
Tom Boy, Heather James Gallery, Palm Desert, California
2014
Tilling the Soil, Byron Cohen/Sherry Leedy Galleries, Kansas City, Missouri
Hung Liu, Gail Savern Gallery, Ketchum, Idaho
2013
Hung Liu: Offerings, Mills College Art Museum, Oakland, CA
Nancy Hoffman Gallery, New York, NY
Questions from the Sky: New Work by Hung Liu, San Jose Museum of Art, San Jose, CA
Qian Shan: Grandfather’s Mountain, Nancy Hoffman Gallery, New York, NY
Summoning Ghosts: The Art of Hung Liu, Oakland Museum of California, Oakland, CA
2012
Cycle: New Works by Hung Liu, di Rosa Gatehouse Gallery, Napa, CA
Happy and Gay, Rena Bransten Gallery, San Francisco, CA
2011
First Spring Thunder, Alexander Ochs Gallery, Beijing, China
2010
China Story: Hung Liu, Andrew Bae Gallery, Chicago, IL
Drawing from Life and Death, Rena Bransten Gallery, San Francisco, CA
Apsaras, Nancy Hoffman Gallery, New York, NY (Traveled to: Fort Collins Museum of Contemporary Art, Fort Collins, CO)
Prodigal Daughters, 10 Chancery Lane Gallery Annex, Hong Kong
2009
Trade Winds: New Work, Galeria Omar Alonso, Puerto Vallarta, Jalisco, Mexico
Turner Carroll Gallery, Santa Fe, NM
2008
Cycles, Bernice Steinbaum Gallery, Miami, FL
Music of the Great Earth, New Beijing Gallery, China
Prodigal Daughter, F-2 Gallery, Beijing, China
Then and Now, Fred Jones Jr. Museum of Art, University of Oklahoma, Norman, OK
Year of the Rat, Walter Maciel Gallery, Los Angeles, CA
2007
Memorial Grounds 1988-2006, Savannah College of Art and Design, Atlanta and Savannah, GA
Daughter of China, 1938, Rena Bransten Gallery, San Francisco, CA
Hung Liu: New Work, Turner Carroll Gallery, Santa Fe, NM
Hung Liu: Old Road, West Wind, iPreciation Gallery, Singapore
Za Zhong: Bastard Paintings, Nancy Hoffman Gallery, New York, NY
Za Zhong: Bastard Paintings, Byron Cohen Gallery and Trillium Press, Kansas City, MO
2006
Full Circle: Revolutions in the Paintings of Hung Liu, Paul Robeson Gallery, Rutgers University, Newark, NJ
Hung Liu: New Work, Walter Maciel Gallery, Los Angeles, CA
Intersections: Shifting Identity in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, WI
Matriarchy: Hung Liu’s New Work, ArtScene China Warehouse, Shanghai, China
2005
Hung Liu: A Decade of Paintings, Guilford College Art Gallery, Hege Library, Guilford College, Greensboro, NC; (Traveled to: Prichard Art Gallery, University of Idaho, Moscow, ID)
Za Zhong—Bastard Paintings, Project Space, Nancy Hoffman Gallery, New York, NY
Female Radical Nu Zi Pang, Nancy Hoffman Gallery, New York, NY
Hung Liu: An Exhibition of New Work at Trillium Press, Trullium Graphics, Brisbane, CA
Nathan Larramendy Gallery, Ojai, CA
Polly Portrait of a Pioneer, Rena Bransten Gallery, San Francisco, CA
2004
The Vanishing: Re-presenting the Chinese in the American West, Sun Valley Center for the Arts, Ketchum, ID (Traveled to: Prichard Art Gallery, University of Idaho, Moscow, ID; Salt Lake Art Center, Salt Lake City, UT; University of Wyoming Art Museum, Laramie, WY; Schneider Museum of Art, Southern Oregon University, Ashland, OR)
Byron C. Cohen Gallery, Kansas City, MO
Hung Liu: Lament, ArtScene China Gallery, Shanghai, China
Relic: New Paintings, Bernice Steinbaum Gallery, Miami, FL
2003
Geography of Memory, Monterey Museum of Art, Monterey, CA
Hung Liu: Revolutionary Daughter, Michael Berger Gallery, Pittsburgh, PA
New Prints by Hung Liu, Paulson Bott Press, Berkeley, CA
Anne Reed Gallery, Ketchum, ID
Towards Peng-Lai (Paradise), Rena Bransten Gallery, San Francisco, CA
2002
Complex Puzzles, Bernice Steinbaum Gallery, Miami, Florida
Strange Fruit, Arizona State University Art Museum, Tempe, AZ (Traveled to: Boise Art Museum, Boise, ID; Crocker Art Museum, Sacramento, CA; Laguna Art Museum, Laguna Beach, CA)
Painterly Proofs, de Saisset Museum, Santa Clara University, Santa Clara, CA
Polk Museum of Art, Lakeland, FL
University of Wyoming Art Museum, Laramie
2001
Between History and Me, Arizona State University Art Museum, Tempe, AZ (Traveled to: Boise Art Museum, Boise, ID)
Beyond the Frame: Hung Liu, Knoxville Museum of Art, Knoxville, TN
Hiu Yin (Echoes), Mabel Smith Douglass Library, Rutgers University, New Brunswick, NJ
A Retrospective of Contemporary Paintings by Hung Liu, Ellen Noel Art Museum of the Permian Basin, Odessa, TX
Studio Sessions, Craft and Cultural Arts Department, City of Oakland and State of California Gallery, Oakland, CA
2000
LewAllen Contemporary, Santa Fe, NM
Rena Bransten Gallery, San Francisco, CA
Byron Cohen Gallery, Kansas City, MO
Where is Mao? 2000, The Art Center, Center of Academic Resources, Chulalongkom University, Bangkok, Thailand
1999
The Gallery of Contemporary Art, Sacred Heart University, Fairfield, CT
Miami University Hiestand Galleries, Oxford, OH
Steinbaum Krauss Gallery, New York, NY
1998
Chinese Types, Rena Bransten Gallery, San Francisco, CA
Schneider Museum of Art, Southern Oregon University, Ashland, OR
WashingTown Blues, College of Charleston, Charleston, SC
Hung Liu: A Survey, 1988-1998, The Ackland Art Museum, Chapel Hill, NC (Traveled to: Bowdin College Museum of Art, Brunswick, ME; University of California, San Diego, La Jolla, CA; Kemper Museum of Contemporary Art, Kansas City, MO; Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA; The College of Wooster Art Museum, Wooster, OH)
1997
Crealde School, Winter Park, FL
Golden Gate University, San Francisco, CA
Halsey Gallery, College of Charleston,Charleston, SC
Steinbaum Krauss Gallery, New York, NY
Unfolding Memory-Picturing History, Bard Center for Curatorial Studies, Annandale-on-Hudson, Hudson, NY
1996
Feudal Remnants, Rena Bransten Gallery, San Francisco, CA
Mills College Art Gallery, Oakland, CA
New Work, Horwitch LewAllen Gallery, Santa Fe, NM
Parameters: Hung Liu, The Chrysler Museum, Norfolk, VA
You Can’t Go Home Again, University of Nevada, Donna Beam Fine Art Gallery, Las Vegas, NV
1995
Branches, Joy Pratt Markham Gallery, Walton Arts Center, Fayetteville, AR
Can-ton: The Baltimore Series, The Contemporary at the Canton National Bank, Baltimore, MD
Focus: Hung Liu, Fort Wayne Museum of Art, IN
The Last Dynasty, Steinbaum Krauss Gallery, New York, NY
Tradewind, Ohlone College, Fremont, CA
1994
Fine Arts Gallery, University of California at Irvine, Irvine, CA
Identity Fragments, Mary Porter Sesnon Art Gallery, Porter College, University of California at Santa Cruz, Santa Cruz, CA
Jiu Jin Shan, de Young Memorial Museum, Fine Arts Museums of San Francisco, San Francisco, CA
Tales of Chinese Women, John Michael Kohler Arts Center, Sheboygan, WI
Year of the Dog, Steinbaum Krauss Gallery, New York, NY
1993
Rena Bransten Gallery, San Francisco, CA
Two Small Bodies, Churchill County Library, Churchill County Arts Council, Fallon, Nevada
1992
Sittings, Bernice Steinbaum Gallery, New York, NY
1991
Bad Women, Rena Bransten Gallery, San Francisco, CA
1990
Trauma, 1989, Diverseworks, Houston, TX
1989
Chinese Pieta, The Woman’s Building, Los Angeles, CA
Goddess of Love and Liberty, Nahan Contemporary Gallery, New York, NY
Trauma, Sushi Gallery, San Diego, CA
1988
Figures, Brazos Gallery, Richard College, Dallas, Texas
Reading Room, Community Room of Chinese for Affirmative Action, Kuo Building, San Francisco, CA
Resident Alien, Capp Street Project, Monadnock Building, San Francisco, CA
Where is Mao?” Brown-Lupton Gallery, Texas Christian University, Fort Worth, Texas; Southwestern College Art Gallery, Chula Vista, CA
1987
Combinations, Bath House Cultural Center, Dallas, TX
Once there were Ten Suns…, D-Art Visual Art Center, South Dallas Cultural Center, TX
1986
Art and the Tao, Media Center and Communications Building, University of San Diego, CA
Canto, Annex Gallery, University of California San Diego, CA
1985
Grotto Variations, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
Up and Tao, Media Center and Communications Building, University of California, San Diego, CA
1981
The Music of the Great Earth, Foreign Students Dining Hall, Central Academy of Fine Arts, Beijing, China
GROUP EXHIBITIONS
2017
Liberty and Justice for Some, a group show in reaction to the inauguration of Donald J Trump, Walter Maciel Gallery, Los Angeles, CA
2016
These American Lives, Rena Bransten Gallery, San Francisco, CA
Making Our Mark, Richmond Art Center, Richmond, CA
She: International Women Artists Exhibition, Long Museum (West Bund), Xuhui District, Shanghai, China
Paulson Bott Press: Celebrating Twenty Years, de Young Museum, San Francisco, CA
State of Nature V: Painting, Photography & Sculpture, Gail Severn Gallery, Ketchum, ID
More Than Your Selfie, New Museum Los Gatos, Los Gatos, CA
Bird in the Hand, Palo Alto Art Center, Palo Alto, CA
2015
The Other Side: Chinese and Mexican Immigration to America, curated by Chip Tom, Asia Society, Houston, TX
Magnola Editions: Innovation and Collaboration, curated by Randy Rosenberg, Museum of Sonoma County, Santa Rosa, CA
Marks Made: Prints by American Women Artists from the 1960s to the Present, Museum of Fine Arts in St. Petersburg, FL
First Look: Collecting Contemporary at The Asian, Asian Art Museum, San Francisco, CA
(Re)discovering S(h)elves: Selections from the Permanent Collection, Christian Petersen Art Museum, Iowa State University, Ames, IA
Tahoe: A Visual History, Nevada Museum of Art, Reno, NV
The Human Touch: Selections from the RBC Wealth Management Art Collection, Memorial Art Gallery of the University of Rochester, Rochester, NY
2014
The Other Side: Chinese and Mexican Immigration to America, curated by Chip Tom, USC Pacific Asia Museum, Pasadena, CA
I’ll Show You Mine: Contemporary Artists Explore Family Portraiture, Palo Alto Art Center, Palo Alto, CA
Beautiful Disintegrating Obstinate Horror Drawing and Other Recent Acquisitions and Selections from the UNM Art Museum’s Permanent Collection, UNM Art Museum’s Jonson Gallery, University of New Mexico, Albuquerque, NM
The Intuitionists, The Drawing Center, New York, New York
Shark’s Ink: Collaborations, Pattern Shop Studio, Denver, Colorado
Radical Repetition: Albers to Warhol, From the Collections of Jordan D. Schnitzer and his Family Foundation, Whatcom Museum, Bellingham, Washington
The Female Gaze: Selfhood and Community from the Linda Lee Alter Collection of Art by Women, Victoria H. Myhren Gallery, University of Denver School of Art and Art History
Building Forward/Looking Back, de Saisset Museum, Santa Clara University, Santa Clara, California
Utah Museum of Art, Salt Lake City, Utah
Missoula Art Museum, Missoula, MT
Bellevue Art Museum, Bellevue, Washington
2013
Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation, Wichita Art Museum, February 2 – May 19, 2013. Also travelled to: Joslyn Art Museum, Omaha, Nebraska
Wichita Art Museum, Wichita, Kansas
Experiments in the Fault Zone, Mills College Art Museum, Oakland, California
Then is Now, Joyce Gordon Gallery, Oakland, California
Collaborative Printmaking, Hong Kong Graphic Art Fiesta
Hung Liu: Layers, Diehl Gallery, Jackson, WY
Artist in Residence Collection, Fullerton College Art Gallery, Fullerton, California
Squeak Carnwath, Hung Liu, Katherine Sherwood, B. Sakata Garo Gallery, Sacramento, California
I, You, We, Whitney Museum of American Art, New York, New York
The Female Gaze: Women Artists Making Their World, Pennsylvania Academy of the Fine Arts, Pennsylvania, PA
2012
Forty Years, Nancy Hoffman Gallery, New York, NY
Women: By, Of, About, Nancy Hoffman Gallery, New York, NY
2011
Summer, Nancy Hoffman Gallery, New York, NY
2010
All That Glitters, Nancy Hoffman Gallery, New York, NY
2010 Collector’s Show, Arkansas Arts Center, Little Rock, AK
Painting with Paint, Charlotte and Philip Hanes Art Gallery, Wake Forest University, Winston-Salem, NC
REAL(ist), Selby Gallery, Ringling College of Art and Design, Sarasota, FL
Story Painters, Bedford Gallery, Walnut Creek, CA
2009
Summer Group Exhibition, Nancy Hoffman Gallery, New York, NY
2008
Half-Life of a Dream: Chinese Contemporary Art from the Logan Collection, San Francisco Museum of Modern Art, San Francisco, CA
2007
Contemporary Combustion: Chinese Artists in America, New Britain Museum of American Art, CT
Figure It! The Human Factor in Contemporary Art, Clay Center, Charleston, West Virginia, VA
Flying the Coop, Nancy Hoffman Gallery, New York, NY
High Fiber, American University Museum at the Katzen, Washington, D.C.
Home Sweet Home, San Jose Institute of Contemporary Art, CA
2006
Circles, Nancy Hoffman Gallery, New York, NY
Intersections: Shifting Identity in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, WI
Visage, Project Space, Nancy Hoffman Gallery, New York, NY
Visual Politics: The Art of Engagement, American University Museum, Katzen Arts Center, Washington, DC
Who’s Afraid of San Francisco? Frey Norris Gallery, San Francisco, CA
2005
Eve, Nancy Hoffman Gallery, New York, NY
A Motion Picture, de Young Memorial Museum, Fine Arts Museums of San Francisco, San Francisco, CA
2004
Collection Highlights, San Jose Museum of Art, CA
Summertime, Nancy Hoffman Gallery, New York
Tamarind: 40 Years, Cannon Art Gallery, Carlsbad, CA
2003
Across the Divide, Gatov and Werby Art Galleries, California State University at Long Beach, Long Beach, CA
At Work: the Art of California Labor, Fine Arts Gallery, San Francisco State University, CA
Family Ties: A Contemporary Perspective, Peabody Essex Museum, Salem, MA
From Stone & Plate: Contemporary Prints from Tamarind Institute, Phoebe Conley Art Gallery, California State University, Fresno, CA
Global Elegies: Art and Ofrendas for the Dead, Oakland Museum, CA
Inaugural Anniversary Exhibition, Oakland Art Gallery, CA
Manifest Destiny: Contemporary API Activist Artists, Association of Asian American Studies Conference, Cathedral Hill Hotel, San Francisco, CA
The Other Side, B. Sakata Garo Gallery, Sacramento, CA
Road Trip, Nathan Larramendy Gallery, Ohai, CA
Scenery, Rena Bransten Gallery, San Francisco, CA
Seizing the Myths: Arts of Rebellion, Resource Center for Activism and Arts, Gaea Foundation, Washington, DC
Trillium Press: Prints from ’00, ’01,’02, ‘’03, Michael Martin Galleries, San Francisco, CA
Vertigo, San Francisco Museum of Modern Art, San Francisco, CA
2002
Art/Woman/California: Parallels and Intersections, 1950-2000, San Jose Museum of Art, San Jose CA
Box Art/Art Box, Pro Arts Gallery, Oakland, CA
Contemporary Printmakers, J. Johnson Gallery, Jacksonville Beach, FL
First Impressions: The Paulson Press, San Jose Museum of Art, CA
Oakland Portraits: Then and Now, 1852-2002, Oakland Art Gallery, CA
Printworks 2002, Key Tower Gallery, Seattle Arts Commission, WA
Summer Show, Anne Reed Gallery, Ketchum, ID
2001
About Face: Considering Portraits, Rena Bransten Gallery, San Francisco, CA
Collecting Our Thoughts: The Community Responds to Art in the Permanent Collection, San Jose Museum of Art, CA
Digital Printmaking Now, Brooklyn Museum of Art, Brooklyn, NY
The 43rd Biennial Exhibition of Contemporary American Painting, The Corcoran Gallery of Art, Washington, DC
New Prints 2001—Summer, International Print Center, New York, NY
Show Time, Rena Bransten Gallery, San Francisco, CA
Winter Work, Triton Museum of Art, Santa Clara, CA
2000
Text & Subtext: Contemporary Art and Asian Women, Earl Lu Gallery, LaSalle-SIA College of the Arts, Singapore (Traveled to: Museum of Far Eastern Antiquities, Skeppsholmen, Stockholm, Sweden; Taipei Fine Arts Museum, Taiwan, Republic of China)
The Big Picture, Contemporary Museum, Baltimore, MD
Critical Masses, Denver Art Museum, Denver, CO
Expanded Visions: Four Women Artists Print the American West, Women of the West Museum, Denver, CO
For Pete’s Sake, The University of Arizona Art Museum, Tucson, AZ
Heart of the Future Part 2, Encino Art Gallery, Sacramento, CA
Millennium Message-Time Capsules, Heckscher Museum of Art, Huntington, New York; Smithsonian Institution, Washington, DC
New Work: Painting Today, Recent Acquisitions, San Francisco Museum of Modern Art, CA
Paper Cuts, Rena Bransten Gallery, San Francisco, CA
Six Degrees of Inspiration, Contemporary Art Center of Virginia, Virginia Beach; Peninsula Fine Arts Center, Newport News, VA
There but for the grace of…Temporary Shelters, Here Here Gallery, Cleveland, OH
30+ East Bay Painters & Graphic Artists, The Oakland Museum, CA
The View from Here, Tretyakov Gallery, Moscow, Russia
Text and Subtext-Contemporary Art and Asian Women, Artspace, Sydney, New South Wales, Australia; Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia; Earl Lu Gallery, La Salle-Sia College of the Arts, Singapore; Ostasiatiska Museet, Stockholm, Sweden; Stenersenmuseet, Oslo, Norway; Taipei Fine Arts Museum, Taiwan, X-Ray Art Centre, Beijing, China
1999
California Blend: Tradition and Change, Millard Sheets Gallery, Los Angeles County Fair, Pomona, CA
Into the 21st Century: Selections from the Permanent Collection, San Jose Museum of Art, CA
Outward Bound—American Art at the Brink of the Twenty-first Century, Meridian’s White-Meyer Galleries, Washington, DC (Traveled to:m Hanoi and Ho Chi Minh City, Vietnam; Beijing and Shanghai, China; Jakarta, Indonesia; and Singapore
West Looks East, LewAllen Contemporary, Santa Fe, NM
1998
Bicultural Identities: Three Emigres from Bosnia, China and Vietnam, Dunedin Fine Art Center, Dunedin, FL
Concerning the Figure, University Art Gallery, California State University, Hayward, CA
East Meets East in the West, LIMN Gallery, San Francisco, CA
Prints from Paulson Press, Traywick Gallery, Berkeley, CA
Rights of Spring, P.P.O.W. Gallery, New York, NY
Selections from SoHo, Fort Lewis College Art Gallery, Durango, CO
Unthinkable Tenderness: The Art of Human Rights, San Francisco State University, San Francisco, CA
1997
American Stories—Amidst Displacement and Transformation, Setagaya Art Museum, Tokyo, Japan (Traveled to: Chiba City Museum of Art, Chiba, Japan; Fukui Fine Arts Museum, Fukui, Japan; Kurashiki City Museum of Art, Kurashiki, Japan; Atorion, Akita Prefectural Cultural Hall, Akita, Japan)
American Kaleidoscope: Themes and Perspectives in Recent Art, National Museum of American Art, Washington, DC
On the Rim, TransAmerica Building, San Francisco, CA
Regionalism/Identity, Sheppard Gallery, University of Nevada, Reno, NV
Traditions/Innovations: Four Northern California Arts, Crocker Art Museum, Sacramento, CA
1996
Objects of Personal Significance, Exhibits USA and Eastern Illinois University, Charleston, IL
Excavating Culture, Brattleboro Museum and Art Center, VT
Family in Focus: Cultural Diversity and the Family, The Noyes Museum, Oceanville, NJ
Gender Beyond Memory: The Works of Contemporary Women Artists, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Microsoft ArtWalk 12, Microsoft Corporate Campus, Redmond, WA
Setting the Stage: A contemporary View of the West, Eiteljorg Museum, Indianapolis, IN
1995
About Faces, Santa Barbara Museum of Art, CA
Asia/America: Identities in Contemporary Asian American Art, Asia Society Galleries, New York, NY (Traveled to: Center for the Arts at Yerba Buena Gardens, San Francisco, CA; Honolulu Academy of Arts, Honolulu, HI; List Art Center, Massachusetts Institute of Technology, Cambridge, MA; Tacoma Art Museum, Tacoma, WA; Walker Art Center, Minneapolis, MN)
Dis-Oriented: Shifting Identities of Asian Women in America, Steinbaum Krauss Gallery, New York, NY (Traveled to: The Henry Street Settlement, New York, NY)
Garden Variety, Rena Bransten Gallery, San Francisco, CA
Making Faces: American Portraits, The Hudson River Museum, Yonkers, NY
The Public Art of Re-Collection, San Jose Cultural Affairs, CA
Reinventing the Emblem, Yale University Art Gallery, New Haven, CT
10 x 10, Berkeley Art Center, CA
Setting the Stage: A Contemporary View of the West, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN
1994
Asia/America: Identities in Contemporary Asian American Art, Asia Society Galleries, New York, NY
Evolution of the Print, Fourteen Years of Collaboration at Pyramid Atlantic, Addison Ripley Gallery, Washington, DC
Identities in Contemporary Asian American Art, Tacoma Art Museum, Tacoma, WA
New Voices 1994, Allen Memorial Art Museum, Oberlin College, Oberlin, OH
Painting: An Asian American Perception, Marjorie Barrick Museum, University of Nevada, Las Vegas and Nevada Museum of Art, Reno, NV
Picasso to Christo: the Evolution of a Collection, Santa Barbara Museum of Art, Santa Barbara, CA
Plural America Singular Journey, The Art Guild, Farmington, CT
Steinbaum Krauss Gallery, New York, NY
Twelve Bay Area Painters: The Eureka Fellowship Winners, San Jose Museum of Art, CA
Women’s Spirit, Bomani Gallery, San Francisco, CA
1993
43rd Corcoran Biennial of Contemporary American Painting, Washington, DC
Backtalk, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
In Transit, The New Museum of Contemporary Art, New York, NY
1992
Counter Weight: Alienation, Assimilation, Resistance, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
Decoding Gender, School 33 Art Center, Baltimore, MD
Floored Art, Steinbaum Krauss Gallery, New York, NY
In Plural America: Contemporary Journeys, Voices and Identities, Hudson River Museum, Yonkers, NY
In Visible Past, John Wayne Airport, Costa Mesa, CA
Multicultural Americana, Florida Community College at Jacksonville, Jacksonville, FL (Traveled to: Steinbaum Krauss Gallery, New York, NY)
Narratives of Loss: The Displaced Body, University of Wisconsin, Milwaukee, WI
Picasso to Christo: The Evolution of a Collection, Santa Barbara Museum of Art, Santa Barbara, CA
Redefining Self: 6 Asian Americans, San Jose State University, San Jose, CA
S.E.C.A. Award Exhibition, San Francisco Museum of Modern Art, San Francisco, CA
Self-Portrait: The Changing Self, The New Jersey Center for Visual Arts, Summit, NJ
Social Figuration, San Diego State University Art Gallery, San Diego, CA
Steinbaum Krauss Gallery, New York, NY
Virgin Territories, Long Beach Museum of Art, Long Beach, CA
Why Painting—Part 1, Susan Cummins Gallery, Mill Valley, CA
Voices, Shea & Bornstein, Santa Monica, CA
Women’s Art, Women’s Lives, Women’s Issues, Tweed Gallery, New York, NY
1991
Counter Colonialismo, Centro Cultural de la Raza, San Diego, CA
Disparate: Seven Workers, Upaya Gallery, San Francisco, CA
Diverse Directions, Transamerica Pyramid, San Francisco, CA
Mito y Magia en America: Los Ochenta, Museum of Contemporary Art, Monterrey, Mexico
Selected Bay Area Drawings, The Drawing Center, New York; Pro Arts, Oakland, CA
Viewpoints: Eight Installations, Richmond Art Center, Richmond, CA
1990
Contemporary Art by Women of Color,” Hemisfair Plaza, San Antonio, TX
Implosion, San Francisco Arts Commission Gallery, CA
Memory/Reality, Ceres Gallery, New York, NY
Narrative Constructs—Contemporary Trends by Women Artists of Color, Women and Their Work Gallery, Austin, Texas
No Trends, Nathan Contemporary, New York, NY
Official Language, Walter McBean Gallery, San Francisco Art Institute, San Francisco, CA
'Pieta' A collaborative installation with Diana Cardenas, Bath House Cultural Center, Dallas, TX
Precarious Links: Emily Jennings, Hung Liu, Celia Munoz, San Antonio Museum of Art, Texas; Lawndale Art and Performance Center, Houston, TX
The Vessel, Dallas, TX
1988
Artists for Amnesty, Dallas Public Library, TX
Fifteen in the Air, Sheppard Gallery, University of Nevada, Reno, NV
'Four Corners,' in 'Coast to Coast', Diverseworks, Houston, TX (Traveled to: The Kitchen, New York, NY)
1987
Art in the Metroplex, Texas Christian University, Fort Worth, TX
I Am Not A Cubist (Foot in Mouth), Texas Sculpture Symposium, San Antonio, TX
UTA Faculty: New Work, UTA Center for Research in Contemporary Art, University of Texas at Arlington, Arlington, TX
1980
National Fine Arts Colleges Exhibition, traveled in China
1978
Portraiture Exhibition, Winter Palace Gallery, Beijing, China
AWARDS
2016
Distinguished Woman Artist Award, the Council on One Hundred, Fresno Art Museum
2011
SGC International - Award for Lifetime Achievement in Printmaking
2009
UCSD Alumni Association, 50th Anniversary 100 Influential Alumni
2008
Honor Award for Design, US General Services Administration for the San Francisco Federal Building
2007
Oakland Airport: Going Away, Coming Home, Americans for the Arts Annual Public Art Year in Review Award
2006
Commission for the new terminal at the Oakland International Airport. The piece consists of a 160-foot glass wall with etched imagery.
2000
Outstanding Alumna Award, University of California, San Diego, CA
1999
Joan and Robert Danforth Distinguished Professorship in the Arts Endowed Chair, Mills College, Oakland, CA
National Endowment for the Arts, Painting Fellowship
1998
The Joan Mitchell Foundation, Inc. Painters Sculptors Grant, New York, NY
1996
San Francisco Women’s Center Humanities Award, San Francisco, CA
1995
Eureka Fellowship, The Fleishhacher Foundation, San Francisco, CA
1993
International Association of Art Critics (US Section), Best Exhibition by an Emerging Artist
1992
Society for the Encouragement of Contemporary Art (SECA) Award, San Francisco Museum of Modern Art, CA
1991
National Endowment for the Arts, Painting Fellowship
1990
Contemporary Art by Women of Color Artists’ Award, Guadalupe Cultural Center, San Antonio, TX
1989
National Endowment for the Arts, Painting Fellowship
1988
Capp Street Project Stipend, San Francisco, CA
1986
Graduate Student Research Grant, University of California at San Diego, San Diego, CA
1984
Research Assistantship Tuition Scholarship, University of California at San Diego, San Diego, CA
Russell Foundation Grant, University of California at San Diego, San Diego, CA
Hung Liu
Women Working - Loom
1999
Color softground and spitbite
aquatint etching with scrape
and burnish
Image size 32" x 42"
Paper size 40 ¾" x 50"
Edition of 35
Hung Liu
Women Working - Millstone
1999
painting of women working millstone
Color softground and spitbite
aquatint etching with scrape
and burnish
Image size 32" x 48"
Paper size 40¾" x 54½"
Edition of 35
Hung Liu
Mu Nu - Yellow River
1997
Color spitbite aquatint
with softground
Somerset white paper
Image size 16" x 28"
Paper size 25" x 36"
Edition of 35
Hung Liu
Passion Flower
1997
Color aquatint etching with
softground and scrape
and burnish
Somerset soft white paper
Image size 20" x 20"
Paper size 29½" x 28"
Edition of 35
Hung Liu
Permutations - Hoop
1997
Color aquatint and
hardground etching
Somerset white paper
Image size 18" x 24"
Paper size 26" x 31"
Edition of 20
Hung Liu
Permutations - Parasol
1997
Color aquatint and
hardground etching
Somerset white paper
Image size 18" x 24"
Paper size 26" x 31"
Edition of 20
Hung Liu
Permutations - Plates
1997
Color aquatint and
hardground etching
Somerset white paper
Image size 18" x 24"
Paper size 26" x 31"
Edition of 20
Hung Liu
Permutations - YO-YO
1997
Color aquatint and
hardground etching
Somerset white paper
Image size 18" x 24"
Paper size 26" x 31"
Edition of 20
Hung Liu
Witnesses
1997
Color softground and soapground
aquatint with softground
Somerset white paper
Image size 12½" x 10½"
Paper size 20½" x 17½"
Edition of 35