Liam Everett is an artist of contradictions. He is drawn to methods and processes that he doesn’t seem to like. He works and reworks his pieces so it looks like barely anything happened. He sounds very much like a Buddhist when he talks but seems surprised that anyone would assign him that moniker. His works seem to nearly float away, yet they are anchored in his family roots of masonry. Indeed, sometimes they feel transcendent, but Everett says that’s not what he is after. The resolution is left up to the viewer. Liam worked on a series of editions at Paulson Fontaine Press in 2014, including some rondo (round) designs.
