Charles Gaines is a Los Angeles based artist whose work is rooted in conceptual art.
He employs the use of systems, most often in the form of the grid, to make drawings, photographs, and video installations. Committed to conceptual principles, Gaines is one of the few African American artists who worked in this genre during the 1970’s, creating a conversation with the practices of Sol LeWitt, Mel Bochner, John Cage and Lawrence Weiner. His exploration of abstraction and aesthetics as means to explore ideas about perception, objectivity, and relationships has influenced a younger generation of artists including: Edgar Arceneaux, Gary Simmons and Mark Bradford. Recent exhibitions include a survey show titled “Charles Gaines: Gridwork 1974–1989” organized by The Studio Museum in Harlem in 2014 and exhibited at The Hammer Museum in Los Angeles the following year. “Charles Gaines 1992-2023” opened at the Institute of Contemporary Art, Miami in 2023. Charles Gaines is represented by Hauser & Wirth and Galerie Max Hetzler in Berlin.
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2024
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- 2021
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- 2018
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Born 1944 in Charleston, SC.
Lives and works in Los Angeles, CA.
EDUCATION
MFA, Rochester Institute of Technology, School of Art and Design, Rochester NY, 1967
BA, Jersey City State College, Jersey City NJ, 1966
SOLO EXHIBITIONS
2024
Charles Gaines: 1992-2023, Pheonix Art Museum, , Pheonix AZ (Traveling exhibition)
Charles Gaines: 1992-2023, Institute of Contemporary Art Miami, Miami FL (Traveling exhibition)
2023
Charles Gaines. Numbers and Trees: The Arizona Watercolors’, Southampton NY
Charles Gaines. Southern Trees, Hauser & Wirth,, New York NY
2022
Charles Gaines. Gridwork: Palm Canyon Watercolors, Galerie Max Hetzler, Paris, France
2021
New Work: Charles Gaines, San Francisco Museum of Modern Art, San Francisco CA
Charles Gaines, Dia Beacon, Beacon, NY
Charles Gaines: Multiples of Nature, Trees and Faces, Hauser & Wirth, London, UK
2020
Drawings, Hauser & Wirth, St. Moritz, Switzerland
2019
Palm Trees and Other Works, Hauser & Wirth, Los Angeles CA
2018
Charles Gaines, Galerie Max Hetzler, Berlin, Germany
Faces 1: Identity Politics, Paula Cooper Gallery, New York, NY
2017
Numbers and Trees: Central Park Series IV, Institute of Contemporary Art, Miami, FL
2016
Grids: Numbers and Trees III, and Palm Trees II, Galerie Max Hetzler, Paris, France
Numbers and Trees: Central Park Series II, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Numbers and Trees: Central Park Series I, Paula Cooper Gallery, New York, NY
2015
Librettos: Manuel de Falla / Stokely Carmichael, Art + Practice, Los Angeles, CA
Gridwork 1974-1989, Hammer Museum, Los Angeles, CA (Travelling Exhibition)
2014
Charles Gaines: Gridwork 1974-1989, Studio Museum In Harlem, New York, NY (Travelling Exhibition)
2013
Notes on Social Justice, Paula Cooper Gallery, New York, NY
2012
In The Shadow of Numbers: Charles Gaines Selected Works from 1975-2012, Pomona College Museum of Art and Pitzer Art Galleries, Claremont, CA (Travelling Exhibition)
2011
New Works: Skybox/String Theory, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2008
Manifestos, Kent Gallery, New York, NY
Drawings from the Explosion Series, Susanne Vielmetter Berlin Projects, Berlin, Germany
2007
Charles Gaines: A Selection of Works, Brigitte March Galerie, Stuttgart, Germany
2006
Drawings from the Explosion and the Randomized Text Series, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Snake River: Charles Gaines and Edgar Arceneaux, REDCAT – Roy and Edna Disney/CalArts Theater, Los Angeles, CA (Travelling Exhibition)
Snake River: Charles Gaines and Edgar Arceneaux, Lentos Kunstmuseum Linz, (cur. Clara Kim, Stella Rollig), Linz, Austria (Travelling Exhibition)
Explosions, Kapinos Gallery, Berlin, Germany
2005
Steven Wolf Gallery, San Francisco, CA
2004
Charles Gaines: Selected Work, 1991-2004, Triple Candie, New York, NY
2003
Lurid Stories: Charles Gaines Projects 1995-2001, Phoebe Conley Art Gallery, Fresno, CA (Travelling Exhibition)
2002
Lurid Stories: Charles Gaines Projects from 1995-2001, Luckman Fine Art Gallery, California State University, Los Angeles, CA (Travelling Exhibition)
2001
Lurid Stories: Charles Gaines Projects from 1995-2001, Adaline Kent Award Exhibition, Walter/McBean Gallery, San Francisco Art Institute, San Francisco, CA (Travelling Exhibition)
Airplanecrashclock, Museum of Contemporary Art San Diego, La Jolla, CA
2000
John Weber Gallery, New York, NY
Richard Heller Gallery, Santa Monica, CA Charles Gaines / Kara Walker, IRADAC – The Institute for Research on the African Diaspora in the Americas and the Caribbean, City University of New York, New York, NY
1997
Brigitte March Galerie, Stuttgart, Germany
Richard Heller Gallery, Santa Monica, CA
1996
Phoebe Conley Art Gallery, California State University, Fresno, CA
NIGHT/CRIMES, John Weber Gallery, New York, NY
Castles, Armory Center for the Arts, Pasadena, CA (Travelling Exhibition)
Castles, Full Moon Gallery, Los Angeles, CA (Travelling Exhibition)
1995
Santa Monica Museum of Art, Santa Monica, CA
1993
Fresno Art Museum, Fresno, CA
1991
Charles Gaines: A Survey Exhibition, 1979-1991, Gallery Lavignes-Bastille, Paris, France (Travelling Exhibition)
Charles Gaines: A Survey Exhibition, 1979-1991, John Weber Gallery, New York, NY (Travelling Exhibition)
Charles Gaines: A Survey Exhibition, 1979-1991, Leo Castelli Gallery, New York, NY (Travelling Exhibition)
Charles Gaines: A Survey Exhibition, 1979-1991, Dorothy Goldeen Gallery, Santa Monica, CA (Travelling Exhibition)
1990
Dorothy Goldeen Gallery, Santa Monica, CA
1989
John Weber Gallery, New York, NY
Fresh Visions, Dorothy Goldeen Gallery, Santa Monica, CA
1988
Gallery Lavignes-Bastille, Paris, France
Brigitte March Galerie, Stuttgart, Germany
1987
John Weber Gallery, New York, NY
Leo Castelli Gallery, New York, NY
1985
Leo Castelli Gallery, New York, NY
1984
Artist of the Month Exhibition, Los Angeles Institute of Contemporary Art, Los Angeles, CA
1981
Leo Castelli Gallery, New York, NY
John Weber Gallery, New York, NY
1980
John Weber Gallery, New York, NY
Leo Castelli Gallery, New York, NY
Margo Leavin Gallery, Los Angeles, CA
Daniel Weinberg Gallery, San Francisco, CA
Thomas Segal Gallery, Boston, MA
1979
Young Hoffman Gallery, Chicago, IL
Fresno Art Center, Fresno, CA
1978
Daniel Weinberg Gallery, San Francisco, CA
1975
University of Southern California, Los Angeles, CA
1972
Cinque Gallery, New York, NY
University of Southern California, Los Angeles, CA
1971
Louisville School of Art, Anchorage, KY
1969
State University of New York, College at Oswego, New York, NY
GROUP EXHIBITIONS
2024
Seeing Through Stone, San Jose Museum of Art / University of California, Santa Cruz, San Jose CA / Santa Cruz CA RETROaction, Hauser & Wirth, cur. Kate Fowle, Homi K. Bhabha, Charles Gaines, Ellen Tani, Los Angeles CA (Traveling exhibition)
When Image Processing Became Painting, Miguel Abreu Gallery, New York NY
2023
Coded: Art Enters the Computer Age, 1952–1982, LACMA Los Angeles County Museum of Art, Los Angeles, CA
2022
Forest Through the Trees, Laumeier Sculpture Park, St. Louis, MO
Dead Lecturer/distant relative: Notes from the Woodshed c. 1950-1980, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY
Lifes, Hammer Museum, Los Angeles, CA
Soundwaves: Experimental Strategies in Art + Music, Moody Center for the Arts, Rice University, Houston, TX
2021
Black American Portraits, Los Angeles County Museum of Art Los Angeles, CA
Kathmandu Triennale 2077, Kathmandu Triennale Kathmandu, Nepal
20 Years Anniversary Exhibition Part 2, Vielmetter Los Angeles, Los Angeles, CA
Next to You, McEvoy Foundation for the Arts, San Francisco, CA
Photo Flux: Unshuttering L.A., Getty Center, Los Angeles, CA
The Beatitudes of Malibu, David Kordansky Gallery, Los Angeles, CA
Grief and Grievance: Art and Mourning in America, New Museum, New York, NY, ‘Lives that Bind: a restorative justice installation, Santa Monica City Hall East, Santa Monica CA
2020
To Form a More Perfect Union, Hauser & Wirth, New York, NY
Artists for New York, Hauser & Wirth, New York, NY
Drawing 2020, Gladstone Gallery, New York, NY
Garden of Six Seasons, Para Site Hong Kong, China
2019
Process and Pattern, Anderson Collection, Stanford University, Stanford CA
California Artists in the Marciano Collection, Marciano Art Foundation, Los Angeles CA
Trees, Fondation Cartier, Paris, France
Mapping Black Identities, Minneapolis Institute of Art, Minneapolis, MN
Solidary & Solitary: The Joyner/ Giuffrida Collection, Smart Museum of Art Chicago IL, Searching the Sky for Rain, SculptureCenter, New York, NY
Direct Message: Art, Language, and Power, Museum of Contemporary Art Chicago, IL
2018
Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, (cur. Christiane Paul, Carol Mancusi-Ungaro), New York, NY
The World to Come: Art in the Age of the Anthropocene, Harn Museum of Art, University of Florida, Gainesville, FL
As You Like It – C’est Comme Vous Voulez, Praz-Delavallade, Los Angeles, CA
A Measure of Humanity, Columbus Museum of Art, Columbus, OH
Take Me (I’m yours), Villa Medici, (cur. Christian Boltanski, Hans Ulrich Obrist, Chiara Parisi), L’Accademia di Francia, Rome, Italy
2017
On Another Note: The Intersection of Art and Music, Lyman Allyn Art Museum, (cur. Alva Greenberg), New London, CT
Never Free to Rest, Kurimanzutto, (cur. Eungie Joo), Mexico City, Mexico
Field Guide, Remai Modern Museum, (cur. Gregory Burke, Sandra Guimarães), Saskatoon, Canada
Active Ingredients: Prompts, Props, Performance, Williams College Museum of Art, (cur. Lisa Dorin, Amy Holzapfel, David Levine, Marsha Ginsberg), Williamstown, MA
Starless Midnight, Baltic Center for Contemporary Art, (cur. Edgar Arceneaux), Gateshead, England
Solidary & Solitary: The Joyner/ Giuffrida Collection, Ogden Museum of Southern Art, (cur. Christopher Bedford, Katy Siegel), New Orleans, LA
Time As Landscape: Inquiries of Art and Science, Cornell Fine Arts Museum, Rollins College, Winter Park, FL
Dimensions of Black, Manetti Shrem Museum, University of California, ‘’, Davis, CA
Naming Rights, Thomas Dane Gallery, London, England
We need to talk…Artists and the public respond to the present conditions in America, Petzel Gallery, New York, NY
2016
L.A. Exuberance: New Gifts by Artists, Los Angeles County Museum of Art, Los Angeles, CA
Rhona Hoffman 40 Years, Part 1, Rhona Hoffman Gallery, Chicago, IL
The Freedom Principle: Experiments in Art and Music, 1965 to Now, Institute of Contemporary Art, Philadelphia, PA (Travelling Exhibition)
Trees in the Forest, Yale Union, (cur. Kari Rittenbach), Portland, OR
Drawing Dialogues: The Sol LeWitt Collection, The Drawing Center, (cur. Claire Gilman, Béatrice Gross), New York, NY
Nervous Systems: Quantified Life and the Social Question, Haus de Kuluren der Welt, (cur. Stephanie Hankey, Marek Tuszynski), Berlin, Germany
CALIFORNIA 101: Art from the Collection, Art, Design & Architecture Museum, University of California, Santa Barbara, CA
Performing the Grid, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
From Minimalism to Algorithm, The Kitchen, New York, NY
2015
When Artists Speak Truth…, The 8th Floor, New York, NY
Afterword Via Fantasia, Catherine Bastide, Brussels, Belgium
The Freedom Principle: Experiments in Art and Music,1965 to Now, Museum of Contemporary Art, (cur. Naomi Beckwith, Dieter Roelstraete), Chicago, IL (Travelling Exhibition)
Charles Gaines, Franka Hörnschemeyer & Carla Guagliardi, Galleri Opdahl, Stravanger, Norway
Drawing in L.A.: The 1960s and 70s, Los Angeles County Museum of Art, Los Angeles, CA
All The World’s Futures, 56th Venice Biennale, (cur. Okwui Enwezor), Venice, Italy
America is Hard to See, Whitney Museum of American Art, (cur. Donna De Salvo, Carter E. Foster, Dana Miller, Scott Rothkipf, Jane Panetta, Catherine Taft, Mia Curran), New York NY
Looking Back / The 9th White Columns Annual, White Columns, New York, NY
Paradox in Language: What I look at is never what I wish to see, University Art Gallery, University of California, (cur. Allyson Unzicker), Irvine, CA
2014
Sites of Reason: A Selection of Recent Acquisitions, Museum of Modern Art, (cur. David Platzker, Erica Papernik), New York, NY
Group Exhibition, Paula Cooper Gallery, New York, NY
2013
Group Exhibition, Paula Cooper Gallery, New York, NY
State of Mind New California Art Circa 1970, Smart Museum of Art, The University of Chicago, Chicago, IL (Travelling Exhibition)
Blues for Smoke, Wexner Center for the Arts, (cur. Bennett Simpson), Columbus, OH (Travelling Exhibition)
State of Mind: New California Art Circa 1970, Bronx Museum of the Arts, (cur. Constance M. Lewallen, Karen Moss), Bronx, NY (Travelling Exhibition)
Addicott Collection, Fresno Art Museum, (cur. Rodney Harder and Mark Rodriguez), Fresno, CA
State of Mind: New California Art Circa 1970, SITE, (cur. Constance M. Lewallen, Karen Moss), Santa Fe, NM (Travelling Exhibition)
Selections from the Grunwald Center and the Hammer Contemporary Collection, Hammer Museum, (cur. Cynthia Burlingham, Anne Ellegood), Los Angeles, CA
Now Dig This! Art and Black Los Angeles 1960-1980, Williams College Museum of Art, (cur. Kellie Jones), Williamstown, MA (Travelling Exhibition)
2012
Blues for Smoke, MOCA – Museum of Contemporary Art, (cur. Bennett Simpson), Los Angeles, CA (Travelling Exhibition)
State of Mind: New California Art Circa 1970, Morris and Helen Belkin Art Gallery, (cur. Constance M. Lewallen, Karen Moss), Vancouver, Canada (Travelling Exhibition)
ANOMALIA, University Art Gallery, University of California San Diego, (cur. Lucía Sanromán), La Jolla, CA
Blues for Smoke, Whitney Museum of American Art, (cur. Bennett Simpson), New York, NY (Travelling Exhibition)
Mind the Gap, Kent Fine Art, New York, NY
Dance/Draw, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, (cur. Helen Molesworth), Sarasota Springs, NY (Travelling Exhibition)
Now Dig This! Art and Black Los Angeles 1960-1980, MoMa PS1, (cur. Kellie Jones), Long Island City, NY (Travelling Exhibition)
2011
Ground Control, Columbus Museum of Art, Columbus OH
Shared Sensibilities: The Art of Sol LeWitt and His Friends, Mattatuck Museum, Waterbury, CT
Under the Big Black Sun: California Art 1974-1981, MOCA – Museum of Contemporary Art, (cur. Paul Schimmel), Los Angeles, CA
State of Mind: New California Art Circa 1970, Orange County Museum of Art, (cur. Constance M. Lewallen, Karen Moss), Newport Beach, CA (Travelling Exhibition)
Dance/Draw, Institute of Contemporary Art, (cur. Helen Molesworth), Boston, MA (Travelling Exhibition)
Now Dig This! Art and Black Los Angeles 1960-1980, Hammer Museum, (cur. Kellie Jones), Los Angeles, CA (Travelling Exhibition)
Locations, Paula Cooper Gallery, New York, NY
Human Nature: Contemporary Art from the Collection, LACMA – Los Angeles County Museum of Art, Los Angeles, CA
State of Mind: New California Art Circa 1970, Berkeley Art Museum and Pacific Film Archive, University of California, (cur. Constance M. Lewallen, Karen Moss), Berkeley, CA (Travelling Exhibition)
All of this and nothing, Hammer Museum, (cur. Douglas Fogle, Anne Ellegood), Los Angeles, CA
2010
Man Son, Vom Schrecken der Situation, Galerien Der Stadt Esslingen, Esslingen Am Necker, Germany
Conceptual Works from the Collection, University Art Museum, University of California, Santa Barbara, CA
Noir Complex – City, Story, Destruction & Death, Brandenburgischer Kunstverein, (cur. Maik Schlüter), Potsdam, Germany (Travelling Exhibition)
The Artist’s Museum: Los Angeles Artists 1980-2010, MOCA – Museum of Contemporary Art, Los Angeles, CA
The Seventh House, Project Row Houses, (cur. Edgar Arceneaux, Nery Gabriel Lemus), Houston, TX
Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillan, Charles Gaines, Nery Gabriel Lemus, Project Row Houses, Houston, TX
The Road to Hell is Paved…, Las Cienegas Projects, (cur. Biddy Tran), Los Angeles, CA
Summer Group Show, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
Noir Complex – City, Story, Destruction & Death, Magazin 4, Bregenzer Kunstverein, (cur. Maik Schlüter), Bregenz, Austria (Travelling Exhibition)
2009
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY
Oz: New Offerings from Angel City, Museo Regional de Guadalajara, Guadalajara, Mexico
Collection: MOCA’s First Thirty Years, 1980-Now, The Geffen Contemporary, MOCA – Museum of Contemporary Art, (cur. Paul Schimmel), Los Angeles, CA
30 Seconds off an Inch, The Studio Museum in Harlem, New York, NY
Attempt to Raise Hell, Downtown, Museum of Contemporary Art San Diego, San Diego, CA
Wrong: A Program of Text and Image, Eighth Veil, (cur. Jibade-Khalil Huffman), Los Angeles, CA
Charles Gaines / Terry Adkins Collaborative: Part of Get Weird, New Museum, New York, NY
2008
Thunderbolt Special: The Great Electric Show and Dance–Commemorating Sam Lightnin’ Hopkins, Project Row Houses, (cur. Terry Adkins), Houston, TX
Weighing and Wanting: Selections from the Collection, Museum of Contemporary Art San Diego, La Jolla, CA
Wild Signals – Artistic Postions between Symptom and Analysis, Wuerttembergischer Kunsverein, Stuttgart, Germany
Entre Chien et Loup, Kent Gallery, New York, NY
Index: Conceptualism in California from the Permanent Collection, The Geffen Contemporary, MOCA – Museum of Contemporary Art, (cur. Philipp Kaiser, Corrina Peipon), Los Angeles, CA
Idea, Text & Image, Schneider Museum of Art, Southern Oregon University, Ashland, OR
2007
Kapinos Gallery, Berlin, Germany
Read Me! Text in Art, Armory Center for the Arts, (cur. Malik Gaines), Pasadena, CA
Im Wort, Kunsthalle Goppingen, Göppingen, Germany
From Close to Home: Recent Acquisitions of Los Angeles Art, MOCA – Museum of Contemporary Art, Los Angeles, CA
2005
Hommage to Friedrich Schiller, Brigitte March Galerie, Stuttgart, Germany
Kamm Gallery Anniversary Exhibition, Galerie Kamm, Berlin, Germany
Double Consciousness: Black Conceptual Art Since 1970, CAMH – Contemporary Arts Museum Houston, (cur. Valerie Cassel Oliver), Houston, TX
2004
Group Show, Arena 1 Gallery, Santa Monica, CA
Rhythm of Structure: The Mathematical Aesthetic, Fire Patrol No. 5 Gallery, New York, NY
Recherche-entdeckt! Bilderarchive der Unsichtbarkeiten (Research-discovered! Picture Archive of the Invisibilities), Sixth Esslingen International Photo Triennial, Galerie de Stadt, Esslingen am Neckar, Germany
Fade (1990-Present): African American Artists in Los Angeles, a Survey Exhibition, Luckman Gallery and Fine Arts Gallery, California State University, (cur. Malik Gaines), Los Angeles, CA
Craft and Folk Art Museum, Los Angeles, CA
2003
Prints from Segura Press, New Mexico State University Art Museum, Las Cruces, NM
Structure of Difference: Painting, Sculpture, and Photography of the Past Fifty Years, Wadsworth Atheneum Museum of Art, Hartford, CT
Selections from the LeWitt Collection, New Britain Museum of American Art, New Britain, CT
Urban Aesthetics, California Artists 2003, California African American Museum, (cur. Sandra E. Rowe), Los Angeles, CA
Rhythm of Structure: MathArt in Harlem, Fire Patrol No. 5 Gallery, New York, NY
The Night of the Hunter, Brigitte March Galerie, Stuttgart, Germany
2002
Math Art, Ringling College of Art and Design, Sarasota, FL
What About Hegel, Brigitte March Galerie, Stuttgart, Germany
2001
Song Poems: Lyrics into Songs into Videos, Posters and Album Covers, New York, NY
Rhapsody: Selections from Valley Collections, Arizona State University Art Museum, (cur. Jean Makin, Stephen Marc, Kim Curry-Evans), Tucson, AZ
2000
Deep Distance. Die Entfernung der Fotografie, Kunsthalle Basel, (cur. Wilhelm Schürmann), Basel, Switzerland
A Selective Survey of Political Art, John Weber Gallery, New York, NY
1999
Mixed Media: Selections from the Segura Publishing Archives, SMoCA – Scottsdale Museum of Contemporary Art, Scottsdale, AZ
Pictures of Other People’s Bodies, Richard Heller Gallery, Santa Monica, CA
More than Meets the Eye, Triennale der Photographie, Deichtorhallen, (cur. Wilhelm Schümann), Hamburg, Germany
Landschaft—Stadtlandschaft (Landscape–Cityscape), Brigitte March Galerie, Stuttgart, Germany
Landscape Memories, Rosamund Felsen Gallery, (cur. Steven Hull), Santa Monica, CA
Touring the Frame, Rosamund Felsen Gallery, (cur. Charles Gaines), Santa Monica, CA
1998
Other Related Areas, University Art Gallery, University of California, Irvine, CA
1997
Magie der Zahl in der Kunst des 20. Jahrhunderts, Staatsgalerie Stuttgart, Stuttgart, Germany
1996
Some Grids: The Grid in Twentieth Century Art, LACMA – Los Angeles County Museum of Art, Los Angeles, CA
1994
Earthworks and Landscapes, Fuel Gallery, Seattle, WA
Paper Work, John Weber Gallery, New York, NY
Group show (works from the collection), Newport Harbor Art Museum, Newport, CA
1993
The Naming of the Colors, White Columns, (cur. Kirby Gookin, Bill Arning), New York, NY
Artists Writing Reading Room, Side Street Projects, Santa Monica, CA
L.A. Next: Six Los Angeles Artists, Contemporary Art Center, New Orleans, LA
The Return of the Cadavre Exquis, Drawing Center, New York, NY
1992
Open Mind: The LeWitt Collection, Wadswoth Atheneum, Hartford, CT
Force/Sight, International Kunst der Gegenwart, Schloss Presteneck, (Stein am Kocher), (cur. Brigitte March), Wurzburg, Germany
No Justice, No Peace, California African American Museum, Los Angeles, CA
Counterweight, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
LAX: The Los Angeles Exhibition, Otis Art Institute Gallery, Los Angeles, CA
1990
The Grid: Organization and Idea, Ben Shahn Galleries, William Patterson College, Patterson, NJ
1989
Landscape Visions, University Art Museum, Calfiornia State University, Long Beach, CA
1986
Work from the Collection of Sol LeWitt, Nova Southwestern University Art Museum, Fort Lauderdale, FL
1985
Selections from the William Hokin Collection, Museum of Contemporary Art, Chicago, IL
Works from the Collection of Sol LeWitt, Ackland Art Museum, University of North Carolina, Chapel Hill, NC (Travelling Exhibition)
Works from the Collection of Sol LeWitt, Everhart Museum of Natural History, Science, and Art, Scranton, PA (Travelling Exhibition)
Works from the Collection of Sol LeWitt, The Grey Art Gallery, New York University, New York, NY (Travelling Exhibition)
Process and Construction, Brigitte March Galerie, Munich, Germany (Travelling Exhibition)
Process and Construction, Kunstlerwerkstatt and Lenbachaus Museum, Munich, Germany (Travelling Exhibition)
Black and White Drawings from the David Nellis Collection, Fine Arts Gallery, California State University, Los Angeles, CA
Artists Forum: Selected Faculty Artists from California State University, California State University, Los Angeles, Los Angeles, CA
1984
Contemporary Watercolors, University Art Gallery, San Diego State University, San Diego, CA
Works From the Collection of Sol LeWitt, University Art Museum, Calfiornia State University, Long Beach, CA (Travelling Exhibition)
1982
Selections from the Chase Manhattan Bank Art Collection, Fleming Museum of Art, University of Vermont, Burlington, VT (Travelling Exhibition)
Selections from the Chase Manhattan Bank Art Collection, David Winton Bell Gallery, Brown University, Providence, RI (Travelling Exhibition)
Works from the Collection of Sol LeWitt, Wesleyan University Art Museum, Wesleyan University, Middletown, CT (Travelling Exhibition)
1981
Artists from the John Weber Gallery, Florida International University, Miami FL (Travelling Exhibition)
Post Modernist Metaphors, Alternative Museum, (cur. Horace Brockington), New York, NY
New Dimensions in Drawing: 1950-1980, The Aldrich Contemporary Art Museum, Ridgefield, CT
Selections from the Chase Manhattan Bank Art Collection, University of Massachusetts, Amherst MA (Travelling Exhibition)
1980
Systems, Inquiry, Translation, Santa Barbara Museum of Art, Santa Barbara, CA
Touchstone Gallery, New York, NY
An Exhibition of Drawings from the Margo Leavin Gallery, California State College, Bakersfield, CA
Benefit Show for the Center for the Performing Arts, Leo Castelli Gallery, New York, NY
Artists from the John Weber Gallery, University of South Florida Contemporary Art Museum, Tampa, FL (Travelling Exhibition)
Prints from the Landfall Press, Melinda Wyatt Gallery, Los Angeles, CA
1979
Exchanges, Henry Street Settlement, New York NY
The Grid, Evanston Art Center, Evanston, IL
Portraits, Center for the Visual Arts, Aspen, CO
Gallery Artists Show, John Weber Gallery, New York, NY
Gallery Artists Summer Show, Young Hoffman Gallery, Chicago, IL
Texas Gallery, Houston TX
1978
John Weber Invitational, John Weber Gallery, New York, NY
Works on Paper, Margo Leavin Gallery, Los Angeles, CA
Numerals: Mathematical Concepts in Contemporary Art, Leo Castelli Gallery, (cur. Rainer Crone), New York, NY (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, Yale University Art Gallery, Yale University, New Haven, CT
Numerals: Mathematical Concepts in Contemporary Art, Hood Museum of Art, Dartmouth College, Hanover, NH (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, University of North Dakota, Grand Forks, ND (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, University Art Gallery, University of California, Irvine, CA (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, Art Museum of South Texas, Corpus Christi, TX (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, Center for the Arts, Muhlenberg College, Allentown, PA (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, The New Gallery, Cleveland, OH (Travelling Exhibition)
Numerals: Mathematical Concepts in Contemporary Art, Minneapolis College of Arts and Design, Minneapolis, MN (Travelling Exhibition)
Recent Publications, Landfall Press, Chicago, IL
1977
Golden West College, Los Angeles, CA
1976
Golden West College, Los Angeles, CA
1975
Oakland Museum, Oakland, CA
1975 Biennial Exhibition, Whitney Museum of American Art, New York, NY
1974
Black Artists, Recent Attitudes, California State University, Fresno, CA
1973
California Arts Council, Sacramento, CA
Oakland Museum, Oakland, CA
PERFORMANCES
2018
Manifestos 2 Release, The Village Vanguard, New York, NY
A Visionary Recital (after Terry Adkins), ICA — Institute of Contemporary Art, Miami, FL
2017
Sound Text, Ian Potter Museum of Art, Melbourne, Australia
Lone Wolf Recital Corps, Museum of Modern Art, New York NY
Kurimanzutto Gallery, Mexico City, Mexico
2016
Sound Text, Brooklyn Museum, Brooklyn, NY
2015
Manifestos 2 and Sound Text: Deep River, REDCAT – Roy and Edna Disney/CalArts Theater, Los Angeles, CA
Sound Text, La Biennale Di Venezia, Venice, Italy
2014
Manifestos 2, Museum of Modern Art, New York, NY
2013
Charles Gaines Ensemble, Museum of Contemporary Art, Los Angeles, CA
2012
Atum (Honey From A Flower Named Blue), Pomona College Museum of Art, Pomona CA
Third Streaming, New York, NY
Assassination, MoMa PS1, Long Island City, NY
2011
Manifestos Scores, Hammer Museum, University of California, Los Angeles, CA
2009
Get Weird: Charles Gaines/Terry Adkins Collaborative, New Museum, New York, NY
GRANTS AND AWARDS
2018
REDCAT Gala Honoree, Los Angeles, CA
2015
College Art Association Artist Award for a Distinguished Body of Work
2013
Guggenheim Foundation Fellowship
2011
California Community Foundation Fellowship for Visual Arts
2008
Faculty Residency, Skowhegan School of Painting and Sculpture, Skowhegan ME
2007
Norton Family Foundation Grant, Los Angeles, CA
United States Artists 2007 Fellowship Award
2004
The Durfee Foundation Grant, Los Angeles CA
California Institute of the Arts, Dean’s Grant, Valencia, CA
2001
Adaline Kent Award, San Francisco Art Institute, San Francisco, CA
1977
National Endowment for the Arts, Washington D.C.
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #1, Fortune Lane
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #2, Celestial Court
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #3, Vespers Drive
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #4, Silver Leaf Circle
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #5, Bluewater Way
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Charleston Series 2, Tree #6, Bairds Cove
2024
Color aquatint, spitbite aquatint, chine collé and UV cured acrylic with printed acrylic box.
Rives BFK White paper
Size: 30.5” x 36” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Palm Canyon, Palm Series 4, Tree #1, Tataviam
2021
Color aquatint, spitbite aquatint and chine collé with printed acrylic box.
Rives BFK White paper
Size: 62” x 35” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Palm Canyon, Palm Series 4, Tree #2, Kitanemuk
2021
Color aquatint, spitbite aquatint and chine collé with printed acrylic box.
Rives BFK White paper
Size: 62” x 35” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Palm Canyon, Palm Series 4, Tree #3, Chumash
2021
Color aquatint, spitbite aquatint and chine collé with printed acrylic box.
Rives BFK White paper
Size: 62” x 35” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees: Palm Canyon, Palm Series 4, Tree #4, Acjachemen
2021
Color aquatint, spitbite aquatint and chine collé with printed acrylic box.
Rives BFK White paper
Size: 62” x 35” x 3.5”
Edition of 35
Charles Gaines
Numbers and Trees Tiergarten Series 3: Tree#1, April
2018
Color aquatint and spitbite aquatint with printed acrylic box.
Rives BFK White paper
Size: 42.25" x 32" x 3.5"
Edition of 25
Charles Gaines
Numbers and Trees Tiergarten Series 3: Tree#2, May
2018
Color aquatint and spitbite aquatint with printed acrylic box.
Rives BFK White paper
Size: 42.25" x 32" x 3.5"
Edition of 25
Charles Gaines
Numbers and Trees Tiergarten Series 3: Tree#4, July
2018
Color aquatint and spitbite aquatint with printed acrylic box.
Rives BFK White paper
Size: 42.25" x 32" x 3.5"
Edition of 25
Charles Gaines
Numbers and Trees Tiergarten Series 3: Tree#6, September
2018
Color aquatint and spitbite aquatint with printed acrylic box.
Rives BFK White paper
Size: 42.25" x 32" x 3.5"
Edition of 25