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2022
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- 2021
- 2018
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- 2017
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- 2016
- 2015
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Born 1946 in Macon, Mississippi.
Lives and works in Chicago, Illinois.
EDUCATION
BFA from Wayne State University, Michigan
MFA from Cranbrook Academy of Art, Michigan
SOLO EXHIBITIONS
2024
McArthur Binion, Peter Marino Foundation, Southampton, NY
2022
Visual:Ear / Paper:Work, Xavier Hufkens, Brussels, Belgium
DNA:Study/(Visual:Ear), Lehmann Maupin, Seoul, South Korea
2021
Modern:Ancient:Brown, Lehmann Maupin, New York, NY
2020
Modern Ancient Brown, Museo Novecento, Florence, Italy
DNA:Work and the Under:Conscious Drawings, Gray Warehouse, Chicago, Illinois
2019
White:Work, Massimo De Carlo, London, England
Hand:Work: II, Lehmann Maupin, Seoul, South Korea
New: Work, Massimo De Carlo, Hong Kong
Hand:Work II, Lehmann Maupin, Hong Kong
Hand:Work, Lehmann Maupin, New York, New York
Binion/Saarinen: A McArthur Binion Project, Cranbrook Art Museum, Bloomfield Hills, Michigan
2018
Ink: Work, Massimo De Carlo, Milan, Italy
Galerie Lelong & Co., Paris, France
2017
Route One: Box Two, Galerie Lelong & Co., New York, New York
DNA:Sepia, Massimo De Carlo, London, England
2016
Seasons, Kavi Gupta, Chicago, Illinois
2015
McArthur Binion: Re:Mine, Galerie Lelong, New York, New York
2014
DNA Study, Kavi Gupta Chicago, Chicago, Illinois
2013
Ghost:Rhythms, Kavi Gupta Chicago, Chicago, Illinois
2012
Contemporary Art Museum, Houston, Texas
2010
Color Exploration: Simplicity in the Art of McArthur Binion, Univeristy of Maryland University College Gallery, Adelphi, Maryland
2009
House : Work, Center Galleries at College for Creative Studies, Detroit, Michigan
2008
Simplicism II: The Gouaches, Audible Gallery, Experimental Sound Studio, Chicago, Illinois
2004
Simplicism, G. R. N’Namdi Gallery, Detroit, MI; G. R. N’Namdi Gallery, New York, NY; G. R. N’Namdi Gallery, Chicago, IL
2001
Modern : Ancient : Brown, Alley Culture, Detroit, Michigan
1998
Wayne State University Law School, Detroit, Michigan
1990
Laconic : Love : Letters; K.V.C., Fisher Theater, New Center One, Detroit, MI
1983
Small Walls Gallery, New York, New York
1980
The Juices: New Paintings, Anspacher Gallery, sponsored by Joseph Papp, New York, New York
Shakespeare Festival, New York City
Drawings, Peg Alston Gallery, New York, New York
1975
Gallery Seven, Fisher Building, Detroit, Michigan
GROUP EXHIBITIONS
2024
McArthur Binion & Jules Allen: Me and You, Richard Gray Gallery, Chicago, IL
SpaceRace, Lehmann Maupin, London, United Kingdom
2023
Multiplicity: Blackness in Contemporary American Collage, Frist Art Museum, Nashville, TN
Yuen Yeung, K11 Musea, Shanghai, China
Beyond Form, Lehmann Maupin, Palm Beach, FL
Neo Chicago, The Peninsula, Chicago, IL
Gray at 60, Richard Gray Gallery, Chicago IL; New York NY
2022
Citing Black Geographies, Richard Gray Gallery, Chicago IL; New York NY
Black Abstractionists: From Then ‘til Now, Green Family Art Foundation, Dallas, TX
Borrow and Steal: Appropriation from the Collection, Museum of Fine Arts, St. Petersburg, FL
Sense of Place, Greene Naftali, New York, NY
Fire Figure Fantasy: Selections from ICA Miami’s Collection, Institute of Contemporary Art, Miami, FL
2021
Building a Legacy: Chrysler Collects for the Future, Chrysler Museum, Norfolk, VA
McArthur Binion – Sol LeWitt, Massimo De Carlo, Milan, Italy
The Medium is Memory, Lehmann Maupin, Taipei, Taiwan
2020
Listen to Your Eyes, Museum Voorlinden, Wassenaar, Netherlands
Making Community: Prints from Brandywine Workshop and Archives, Brodsky Center at PAFA, and Paulson Fontaine Press, Pennsylvania Academy of Fine Art, Philadelphia, PA
Black Refractions: Highlights from The Studio Museum in Harlem, Smith College Museum of Art, Northampton, MA; Frye Museum of Art, Seattle, WA, Utah Museum of Fine Art, Salt Lake City, UT
Rendez-Vous, Museum Voorlinden, Wassenaar, Netherlands
2019
Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Charles H. Wright Museum of African American History, Detroit, MI
Beyond Infinity: Contemporary Art After Kusama, Institute of Contemporary Art Boston, Boston, MA
Black Refractions: Highlights from The Studio Museum in Harlem, Museum of the African Diaspora, San Francisco, CA; Gibbes Museum of Art, Charleston, SC; Kalamazoo Institute of Arts, Kalamazoo, MI
cart, horse, cart, Lehmann Maupin, New York, NY
2018
Expanding Narratives: The Figure and the Ground, Smart Museum of Art, The University of Chicago, Chicago, IL
Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, TX
2017
Picturing Mississippi, 1817-2017: Land of Plenty, Pain, and Promise, Mississippi, Museum of Art, Jackson, Mississippi
Something to Say: The McNay Presents 100 Years of African American Art, McNay Art Museum, San Antonio, Texas
Visual Freedom: African American Abstractionist from the Mott-Warsh Collection, Mott Warsh Gallery, Flint, Michigan
Color People, Rental Gallery, East Hampton, New York
VIVA ARTE VIVA, 57th Venice Biennale, Venice, Italy
Dimensions of Black: a Collaboration with the San Diego African American Museum of Fine Art, Museum of Contemporary San Diego, San Diego, California
New at NOMA: Recent Acquisitions in Modern and Contemporary Art, New Orleans Museum of Art, New Orleans, Louisiana
From the Vault: Recent Gifts to the Collection, Cranbrook Art Museum, Bloomfield Hills, Michigan
Through the African American Lens, National Museum of African American History and Culture, Washington, DC
2016
Circa 1970, Studio Museum in Harlem, New York, New York
Through the African American Lens, National Museum of African American History and Culture, Washington, DC
Recent Acquisitions, The Phillips Collection, Washington, DC
Viewpoints, Jenkins Johnson Gallery, San Francisco, California
Chicago Invites Chicago, Galerie Lelong, New York, New York
Thought Patterns, Deborah Ronnen Fine Art, Rochester, New York
Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, New York
Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, New York
2015
Piece by Piece: Building a Collection, Kemper Museum of Contemporary Art, Kansas City, Missouri
2014
Prospect.3: Notes for Now, curated by Franklin Sirmans, New Orleans, Los Angeles
Another Look at Detroit: Parts 1 and 2, Marianne Boesky and Marlborough Chelsea Galleries, New York, New York
Ice Fishing, Max Wigram Gallery, London, United Kingdom
When the Stars Begin to Fall: Imagination in the American South, Studio Museum, New York, New York
Above and Below the Surface: Eight Artists, Berggruen Gallery, San Francisco, CA
Black and the Abstract, Part 2: Soft Curves/Hard Edges, Contemporary Arts Museum Houston, Houston, Texas
2013
Black in the Abstract, Contemporary Art Museum Houston, Houston, TX
Green Flower Street, Tatiana Kourochkina Galeria, Istanbul Biennial, Istanbul, Turkey
Xstraction, The Hole, New York, New York
2010
Well Put Together II, Thomas McCormick Gallery, Chicago, Illinois
2007
25th Anniversary Group Exhibition, G. R. N’Namdi Gallery, New York, New York
2002
Americas Remixed, Comune di Milano, Milan, Italy
No Greater Love, Abstraction, Jack Tilton/Anna Kustera Gallery, New York, New York
The Bones of Clouds: Some Recent Experiences of Chance, Center Galleries, College for Creative Studies, Detroit, Michigan
Paths, with Charles McGee, Birmingham Bloomfield Art Center, Birmingham, Michigan
2000
Art for Technology: A Reunion of Mural Artists, Martin Luther King Neighborhood Network, Detroit, Michigan
1997
T-race, Randolph Street Gallery, Chicago, Illinois
1996
Drawing in Chicago Now, 11th Street Gallery, Chicago, Illinois and Carleton College, Northfield, Minnesota
1992
Drawings for Billboards, Focus Gallery, Detroit, Michigan
1989
Hotel Imperator, Berlin, Germany Poggibonsi Arte, Siena, Italy (catalog)
1988
Poggibonsi Arte, Siena, Italy
1987
Share the Memories, Detroit Institute of Art, Detroit, Michigan
1984
Affirmation of Life, Kenkeleba Gallery, New Yor, New York
1983
The Regentrified Jungle, Hamilton College, Clinton, New York
Wayne State University/NYC, Wayne State University, Detroit, Michigan
Modernist Trends, New York, New York
1982
Organized by Joe Lewis and Holly Solomon Gallery of New York, Mark Twain Bank, Kansas City, Missouri
Six Murals by Six Artists, Martin Luther King, Jr. Community Center Gallery, Detroit, Michigan
Cranbrook USA: A 50-Year Survery of Alumni (15 artists), Cranbrook Museum of Art, Bloomfield Hills, Michigan
1981
Condesco/Lawler Gallery (three person exhibition), New York, New York
1978
Detroit and Chicago: Art of the 70s, Detroit Institute of Art, Detroit, Michigan
1976
Susan Caldwell Gallery, New York, New York
1973
McArthur Binion, Jonathan Borofsky and Mary Obering, Artists Space, New
York, New York
1972
Michigan Biannual, Saginaw Museum of Art, Saginaw, Michigan
AWARDS, COMMISSIONS, AND GRANTS
2017
Purchase Prize, Academy of Arts and Letters, New York
2006
Logo Design: Austin Polytechnic Academy, Chicago, Illinois
2002
Set Design: The Sty of the Blind Pig by Phillip Hayes Dean, ETA Creative Arts
Foundation, Chicago, Illinois
1993
Artist-in-Residence, Chicago Children’s Museum, Boys & Girls Club of Chicago,
Robert Taylor Homes Unit, Chicago, Illinois
1992
Southeastern Michigan Billboard Project: sponsored by the National Endowment for
the Arts, Detroit, Michigan
Artist-in-Residence, Columbia College, Chicago, Illinois
1988
Commission: Invitation Design, Broadway opening of Paul Robeson, John Golden
Theater, New York, New York
1987
Album/CD Cover Design: Homeing by Lawrence “Butch” Morris, Sound Aspects
Records, Stuttgart, Germany
1986
Artistic Director: Image of None by Lawrence “Butch” Morris, Performing Garage,
Inc., New York, New York
1983
Set and Lighting Design: performance by Joseph Jarman, The Kitchen, New York,
New York
1980
Set Design: Boogie Woogie Landscapes by Ntozake Shange, Kennedy Center
Terrace, Washington, D.C.
Set Design: Clock: Watch by Sandra L. Binion, First Los Angeles Performance
Festival, Los Angeles, California
1979
Set Design: Boogie Woogie Landscapes by Ntozake Shange, Symphony Space,
New York, New York
1978
New York C.E.T.A. Artist Project Grant, New York, New York
Costume Design: A Photograph: Lovers in Motion by Ntozake Shange, Equinox
Theater, Houston, Texas
1976
National Endowment of the Arts Fellowship Grant
1974
Commission: Lithograph for Michigan Council for the Arts and Cultural Affairs,
Lansing, Michigan
McArthur Binion
Berkeley: Suite: 10
2022
Color aquatint and spitbite aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Berkeley: Suite: 11
2022
Color aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Berkeley: Suite: 12
2022
Color aquatint and spitbite aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Berkeley: Suite: 13
2022
Color aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Berkeley: Suite: 14
2022
Color aquatint and spitbite aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Berkeley: Suite: 15
2022
Color aquatint and spitbite aquatint.
Saunders Waterford HP paper.
Image Size: 36”x 36”
Paper Size: 40.5” x 40”
Edition of 40
McArthur Binion
Sixteen: Square: 3
2021
Color aquatint and hardground etching.
Saunders Waterford HP paper.
Image Size: 16”x 16”
Paper Size: 20” x 20”
Edition of 30
McArthur Binion
Sixteen: Square: 2
2021
Color aquatint.
Saunders Waterford HP paper.
Image Size: 16”x 16”
Paper Size: 20” x 20”
Edition of 30
McArthur Binion
Sixteen: Square:1
2021
Color aquatint.
Saunders Waterford HP paper.
Image Size: 16”x 16”
Paper Size: 20” x 20”
Edition of 30
McArthur Binion
Berkeley: Suite 5
2018
Color sugarlift aquatint and aquatint.
Saunders Waterford HP paper.
Image Size: 18”x 18”
Paper Size: 22.75” x 22.75”
Edition of 30
McArthur Binion
Berkeley: Suite 6
2018
Color sugarlift aquatint and aquatint.
Saunders Waterford HP paper.
Image Size: 18”x 18”
Paper Size: 22.75” x 22.75”
Edition of 30
McArthur Binion
Berkeley: Suite 7
2018
Color sugarlift aquatint, spitbite aquatint and aquatint.
Saunders Waterford HP paper.
Image Size: 18”x 18”
Paper Size: 22.75” x 22.75”
Edition of 30
McArthur Binion
Berkeley: Suite 8
2018
Color sugarlift aquatint, aquatint and hardground etching.
Saunders Waterford HP paper.
Image Size: 18”x 18”
Paper Size: 22.75” x 22.75”
Edition of 30
McArthur Binion
MAB: 1947: I
2017
Color aquatint.
Somerset white paper
Image size 13 1/2" x 12"
Paper size 16 1/2" x 15"
Edition of 40
McArthur Binion
MAB: 1947: II
2017
Color aquatint.
Somerset white paper
Image size 13 1/2" x 12"
Paper size 16 1/2" x 15"
Edition of 40
McArthur Binion
Potato: Field
2017
Color aquatint.
Rives BFK paper
Image size 36" x 60"
Paper size 41" x 65"
Edition of 40
McArthur Binion
Primary: Etching
2017
Color aquatint and softground etching.
Somerset white paper
Image size 13 1/2" x 12"
Paper size 16 1/2" x 15"
Edition of 40
McArthur Binion
Sepia: Martha: I
2017
Color aquatint.
Rives BFK paper
Image size 30" x 36"
Paper size 36" x 42"
Edition of 40
McArthur Binion
Sepia: Martha: II
2017
Color aquatint and hardground etching.
Rives BFK paper
Image size 30" x 36"
Paper size 36" x 42"
Edition of 40
McArthur Binion
Re: Mine, 2016
2016
Color aquatint and hardground etching.
Image size 18" x 54"
Paper size 21.25" x 58"
Edition of 25
McArthur Binion
MAB: (Etching II) 1971 Yellow, 2016
2016
Color aquatint and hardground etching.
Image size 18" x 18"
Paper size 22.5" x 22"
Edition of 25
McArthur Binion
MAB: (Etching I) 1971 Grey, 2016
2016
Color aquatint, hardground and softground etching.
Image size 18" x 18"
Paper size 22.25" x 22"
Edition of 25
McArthur Binion
DNA Etching V
2015
Color aquatint and sugarlift aquatint.
Saunders Waterford
Image size 32.75" x 33"
Paper size 37.25" x 37"
Edition of 35
McArthur Binion
DNA Etching IV
2015
Color aquatint.
Somerset White Paper
Image size 35.75" x 23.5"
Paper size 40.5" x 27.5"
Edition of 35
McArthur Binion
DNA Etching III
2015
Color aquatint and softground etching.
Saunders Waterford
Image size 32.75" x 33"
Paper size 37.25" x 37"
Edition of 35
McArthur Binion
DNA Etching II
2015
Color aquatint and drypoint.
Saunders Waterford
Image size 32.75" x 33"
Paper size 37.25" x 37"
Edition of 35
McArthur Binion
DNA Etching I
2015
Color aquatint and sugarlift aquatint.
Somerset White Paper
Image size 35.75" x 23.5"
Paper size 40.5" x 27.5"
Edition of 35