Edgar Arceneaux is fascinated by language, and by establishing unexpected connections among words, objects, places, and people. His installations may incorporate not only drawing, sculpture, and film, but also music, conceptual art, and science, juxtaposing representative elements of each and opening up newfound associations, unintended connections and interstitial spaces—in his words, “a different way to construct relationships among things.” Arceneaux was born in 1972 in Los Angeles, where he continues to live and work. He currently serves on the board of the Watts House Project, an “ongoing, collaborative artwork in the shape of a neighborhood redevelopment” across from the historic Watts Towers in Los Angeles; he has been working on the WHP since 1996. He has had solo exhibitions at the Studio Museum in Harlem, New York; Albion Gallery, London; and Galerie Kamm, Berlin. He received a BFA from Art Center College of Design, Pasadena and an MFA from California Institute of the Arts, Los Angeles, and is represented by Susanne Vielmetter Projects, Los Angeles.
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2009
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Born 1972 in Los Angeles, California.
Lives and works in Los Angeles California.
EDUCATION
MFA, California Institute of the Arts, Valencia, CA
BFA, Art Center College of Design, Pasadena, CA
SOLO EXHIBITIONS
2024
Until Until, Until... Performance, MCA Chicago, Chicago, IL
Boney Manilli Performance, Walker Art Center, Minneapolis, MN
2022
Skinning The Mirror, Vielmetter Los Angeles, Los Angeles, CA
Sneak Peek of Boney Manilli Performance, Vielmetter Los Angeles, Los Angeles, CA
2021
Skinning The Mirror, Greenhouse, Vielmetter Los Angeles, Los Angeles, CA
2020
Edgar Arceneaux: Until, Until, Until... The Presidential Bookend Series, (online), Vielmetter Los Angeles, Los Angeles, CA
Edgar Arceneaux, Musée d'art contemporain de Montréal, Montreal, Quebec, Canada
2018
Library of Black Lies, Henry Art Gallery, Seattle, WA
2017
Until, Until, Until…, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
Yerba Buena Center for the Arts, San Francisco, CA
Library of Black Lies, The Main Museum, Los Angeles, CA
2016
Cockeyed Eddie, Galerie Natalie Obadia, Paris, France
Written in Smoke and Fire, MIT List Visual Arts Center, Cambridge, MA
2015
Until, Until, Until... Performa 15, New York NY
Papillion Institute of Art, Los Angeles, CA
2014
Susanne Vielmetter Los Angeles Projects, Culver City, CA
Papillion Institute of Art, Los Angeles, CA
2012
Building Loving and Distrustful Relationships, Maccarone Gallery, New York, NY
2011
Hopelessness Freezes Time 1967 Detroit Riots, Detroit Techno and Michael Heizer’s Dragged Mass, Museum für Gegenwartskunst, Basel, Switzerland
Blind Pig City, Praz-Delavallade , Paris, France
Miracles and Jokes, Circle Disk Rotation and 22 Lost Signs of the Zodiac, The Museum of Contemporary Art Detroit, Detroit, MI
2010
The Algorithm Doesn't Love You, Susanne Vielmetter Los Angeles Projects, Culver City, CA
2009
Disfigurement in the Face of Illusion: The Detroit Riots, Michael Heizer and Drexciya, Susanne Vielmetter Berlin Projects, Berlin, Germany
Albion Gallery, London, England
2008
Correlations and Isomorphisms, Susanne Vielmetter Los Angeles Projects, Culver City, CA
The Agitation of Expansion, Contemporary Art Center of Virginia, Virginia Beach, VA
2007
Jesus and Dinosaurs, Praz–Delavallade, Paris, France
The Agitation of Expansion, Galerie Kamm, Berlin, Germany
2006
Alchemy of Comedy…Stupid, Susanne Vielmetter Los Angeles Projects, Culver City, CA
Snake River, REDCAT, Los Angeles and Lentos Kunstmuseum Linz, Austria
Alchemy of Comedy…Stupid, Gallery 400, University of Illinois Chicago, IL
Edgar Arceneaux- New Work, - Alchemy of Comedy,…Stupid, ArtPace, San Antonio, TX
An Arrangement without Tormentors, Lentos Kunstmuseum, Museum of Contemporary Art, Linz, Austria
2005
Borrowed Sun, The Kitchen, New York, NY
Borrowed Sun, San Francisco Museum of Contemporary Art, San Francisco, CA
Adamski Gallery of Contemporary Art, Aachen, Germany
2004
Borrowed Sun, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
Negative Capability. The Michael Jackson Project, Galerie Kamm, Berlin, Germany
An Arrangement Without Tormentors, Witte de With Museum, Rotterdam, The Netherlands
2003
Drawings of Removal, Project Space, UCLA Hammer Museum, Santa Monica, CA
Library as Cosmos, Kunstverein Ulm, Germany
Library as Chaos, Frehrking Wiesehoefer, Cologne, Germany
107th Street, Watts, Revolver Verlag, Frankfurt, Germany
2002
Rootlessness, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
Drawings of Removal, Studio Museum Harlem, NY
The Trivium, Gallery Kamm, Berlin, Germany
2001
The Trivium, Montgomery Gallery, Pomona College, Claremont, CA, curated by Rebecca McGrew
1999
The Project, New York, NY
1998
The Remnants Project, Armory Center for the Arts, Pasadena, CA
GROUP EXHIBITIONS
2024
Imagining Black Diasporas: 21st Century Art and Poetics, LACMA, Los Angeles, CA
In Memory, Utah Museum of Contemporary Art, Sat Lake City, UT
RETROaction, Curated by Kate Fowle in collaboration with Homi K Bhabha, Charles Gaines, and Ellen Tani, Hauser and Wirth, Los Angeles, CA
Re-Iterative II, curated by John David O’Brien, Terminal 5, LAX Airport, Los Angeles, CA
2023
Artist's Choice: Grace Wales Bonner - Spirit Movers, The Museum of Modern Art, New York, NY
Exercises in Imagination, National Academy of Design, New York, NY
The Collection, Haubrok Foundation, Fahrbereitschaft, Berlin, Germany
2022
Boil, Toil & Trouble, Curated by Zoe Lukov, West Palm Beach, FL
2022
Enter the Mirror, Museum of Contemporary Art Chicago, Chicago, IL
Plants Now! Vielmetter Los Angeles, Los Angeles, CA
Rituals of Resilience, Minneapolis Institute of Art, Minneapolis, MN
2021
Church for Sale, The Haubrok Collection and the National Gallery Collection, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
ALI to LA, Transformative Arts, Los Angeles, CA
20 Years, Vielmetter Los Angeles, Los Angeles, CA
COLA Fellowship Exhibition, Los Angeles Municipal Art Gallery (LAMAG), Los Angeles CA
Pushing the Margins: A Survey of LA Artists, curated by Charles Gaines, Galleri Opdahl, Stavanger, Norway
Land Art: Past, Present, Futures , Nevada Museum of Art, Reno, NV
A New Iconography: Artists Raising Children, The Landing, Los Angeles, CA
2020
The Biblical Imagination, Mission Gathering, Pasadena, CA
20 Years, Vielmetter Los Angeles, Los Angeles, CA
An Earth Song, A Body Song: Figures with Landscape from the OCMA Permanent Collection, Orange County Museum of Art, Santa Ana, CA
Countermythologies,NXTHVN, New Haven, CT
In the Meanwhile…Recent Acquisitions of Contemporary Art, Santa Barbara Museum of Art, Santa Barbara, CA
NINETY / THREEHUNDRED, ArtCenter DTLA, Los Angeles, CA
2019-2020
The Foundation of the Museum: MOCA’s Collection, The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA
Direct Message: Art, Language, and Power, MCA Chicago, Chicago, IL
2019
Sculpture, Vielmetter Los Angeles, Los Angeles, CA
Inaugural Exhibition, Vielmetter Los Angeles, Los Angeles, CA
2018
Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA
2017
Pivotal: Highlights from the Collection, Orange County Museum of Art, Newport Beach, CA
Performa: Commissions from Performa’s Archives, Whitechapel Gallery, London, UK
Starless Midnight, Baltic Mill, Newcastle, UK
Unsettled, curated by JoAnne Northup, Nevada Art Museum, Reno, NV; travelling to Anchorage Museum, Anchorage, AK; Palm Springs Art Museum, Palm Springs, CA (2018)
As a text differs from a book, an image differs from an archive, MAK Center, Mackey Garage Top, Los Angeles, CA
Chapters, Craft & Folk Art Museum, Los Angeles, CA
Urban Planning: Contemporary Art and the City 1967 – 2017, curated by Kelly Shindler, Contemporary Art Museum St. Louis, St. Louis, MO
20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Pittsburgh, PA
2016
Wasteland, curated by Shamim M. Momin, Paris Pantin (Galerie Thaddeus Ropac, Paris France), Mona Bismarck American Center, Paris France
Current: LA Water, Public Art Biennial of Los Angeles, Los Angeles, CA
LA Exuberance: New Gifts by Artists, Los Angeles County Museum, Los Angeles, CA
2015
SiteLab8, collaboration with Wangechi Mutu, SITE Santa Fe, NM
After Living in the Room of Ralits Nouvelles Sonce Alexander Gallery, Los Angeles, CA
Misappropriations: Recent Acquisitions, curated by Dan Cameron, Orange County Museum of Art, Newport Beach, CA
Laugh-In: Art, Comedy, Performance, Museum of Contemporary Art San Diego, La Jolla, CA
Russian Doll, M+B, Los Angeles, CA
Daily Memories, Kunstmuseum Kloster Unser Lieben Frauen, Magdeburg, Germany
Until, Until, Until, special commission for Performa 15, New York, NY
2014
2014 Le Biennale de Montreal, Montreal, Canada
Shanghai Bienniale, Shanghai, China
Recurrence, Fridman Gallery, New York, NY
Word Bites Picture, Design Matters Gallery, Los Angeles, CA
A Thousand of Him Scattered: Relative Newcomers in Diaspora, Stills: Scotland’s Centre for Photography, Edinburgh, Scotland
2013
The Shadows Took Shape, The Studio Museum in Harlem, New York, NY
Art Sheffield 2013: Zero Hours, Site Gallery, Sheffield, England
The Present Order is the Disorder of the Future, Museum Kurhaus Kleve, Kleve, Germany
Bald Eagle, Sammlung Haubrok, Berlin, Germany
You Should've Heard Just What I Seen: Selections from the collection of Martin and Rebecca Eisenberg, Riverview School, Cape Cod, MA
The Armory Show and Tell, The Armory Center for the Arts, Pasadena, CA
Perhaps all that is left of the world is a wasteland covered with rubbish heaps, Transformer Station, Cleveland, OH
Hook, Line and Sinker: Contemporary Drawings from the Collection of Debra and Dennis Scholl, Nevada Museum of Art, Reno, NV
Selections from the Grunwald Center and the Hammer Contemporary Collection, UCLA Hammer Museum, Los Angeles, CA
Etched in Collective History, Birmingham Museum of Art, Birmingham, AL
Approximately Infinite Universe, Museum of Contemporary Art, San Diego, CA
2012
my.LA, haubrokshows, Sammlung-Haubrok, Berlin, Germany
Pairings, The Collection at 50, The Orange County Museum of Art, Orange County, CA
Mutatis Mutandis, Secession, Vienna, Austria
Marking Time, Museum of Contemporary Art in Sydney, Australia
2011
Astrup Fearnley Museum at the Sao Paulo Biennale, Sao Paulo, Brazil
The Bearden Project, The Studio Museum, Harlem, NY
Greater LA, Eleaonor Cayre and Joel Mesler, New York, NY
2010
Inaugural Group Exhibition, Susanne Vielmetter Los Angeles Projects, Culver City, CA
New Art for a New Century: Contemporary Acquisitions, 2000-2010, Orange County Museum of Art, Newport Beach, CA
Moving Images. Artists & Video/Film, Museum Ludwig, Cologne, Germany
Summer Group Show, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
The Artist’s Museum: Los Angeles Artists 1980-2010, Museum of Contemporary Art, Los Angeles, CA
Edgar Arceneaux, Andrea Bowers, Olga Koumoundouros, Rodney McMillian, Charles Gaines, Nery Gabriel Lemus, Project Row Houses, Houston, TX
Huckleberry Finn, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
2009
California Calling: Works from Santa Barbara Collections, 1948 – 2008, Santa Barbara Museum of Art, Santa Barbara, CA
Installations Inside/Out 20th Anniversary Exhibition, Armory Center for the Arts, Pasadena, CA
30 Seconds Off an Inch, the Studio Museum in Harlem, Harlem, NY
MONITAUR, Aspen Art Museum, Aspen, CO
PLOT/09: This World & Nearer Ones!, New York City’s First Public Art Quadrennial, presented by Creative Time, Governors Island, New York, NY
Wallworks, Yerba Buena Center for the Arts, San Francisco, CA
Code Share: 5 continents, 10 biennales, 20 artists, Contemporary Art Centre, Vilnius, Lithuania
Collection in Context: Four Decades, the Studio Museum Harlem, Harlem, NY
2008
California Biennial 2008, Orange County Museum of Art, Newport Beach, CA,
Whitney Biennial 2008, Whitney Museum of American Art, New York, NY
Black Is, Black Ain’t, The Renaissance Society, University of Chicago, IL (Traveled to: Museum of Contemporary Art Detroit, Detroit, MI; H&R Block Artspace ar the Kansas City Art Institute, Kansas City, MO; Temple Gallery At the Tyler School of Art, Philadelphia, PA)
From and Bout Place: Art from Los Angeles, Center of Contemporary Art in Tel Aviv, Israel
The Lining of Forgetting, Weatherspoon Art Museum, Greensboro, NC (Traveled to: The Austin Museum of Art, Austin, TX)
2007
Sculptors’ Drawings: Ideas, Studies, Sketches, Proposals, and More, Angles Gallery, Los Angeles, CA
Touched: Artists and Social Engagement, Armory Center for the Arts, Pasadena, CA
Philosophy of Time Travel, Studio Museum in Harlem, NY
USA: American Video Art at the Beginning of the 3rd Millennium, 2nd Moscow Biennale, Moscow, Russia
southwestNET: drawing outside the lines, Scottsdale Museum of Contemporary Art, Scottsdale, AZ
2006
Materialization of Sensibility: Art and Alchemy, Leslie Tonkonow Artworks + Projects, New York, NY
Black Alphabet: conTEXTS of Contemporary African American Art, Zachęta National Gallery of Art, Warsaw, Poland
Tomorrowland: CalArts in Moving Pictures, Museum of Modern Art, New York, NY
Symmetry, MAK Center for Art and Architecture at the Schindler House, Los Angeles, CA
2005
Uncertain States of America, Astrup Fearnley Museum of Art, Oslo, Norway (Traveled to: Bard Museum Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY; Reykjavik Art Museum, Reykjavik, Iceland; Herning Kunstmuseum, Copenhagen, Denmark; Centre for Contemporary Art, Warsaw, Poland; Le Musée de Sérignan, Sérignan, France; Galerie Rudolfinum, Prague, Czech Republic)
Cut, Susanne Vielmetter Los Angeles Projects, Los Angeles, CA
The Imaginary Number, KW Institute for Contemporary Art, Berlin, Germany
Mixed Doubles, Forum Gallery, Carnegie Museum of Art, Pittsburgh, PA
Displaced, KünstlerInnen, Berlin, Germany
The Need to Document, Halle für Kunst e.V., Lüneburg, Germany
Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA
Double Consciousness: Black Conceptual Art Since 1970, Contemporary Arts Museum Houston, Houston, TX
2004
Art and the Afterall Effect, PlaySpace, California College of the Arts Graduate Gallery, San Francisco, CA
Quicksand, de Appel, Amsterdam, Netherlands
Upside Down: Neueingerichtete Raeume zur Gegenwart, Ludwigforum Aachen, Aachen, Germany
Remembering, Sweeny Art Gallery, UC Riverside, Riverside, CA
The Michael Jackson Project, Collaboration with Rodney McMillian, Inaugural Exhibition
Susanne Vielmetter Los Angeles Projects, Culver City, LA
Fade - African American Artists in Los Angeles - A Survey Exhibition, Luckman Gallery and University Fine Arts Gallery, Cal State Los Angeles, LA
2003
Korrekturen, Galerie Kamm, Berlin, Germany
The Summer of 2003, Galerie Paul Andriesse, Amsterdam, The Netherlands
True Stories, Witte de With Museum, Rotterdam, curated by Catherine David and Jean Perre Rehm, in the context of the International Film Festval Rotterdam, The Netherlands
Social Strategies: Redfining Social Realism, University Art Museum Santa Barbara, Santa Barbara, CA (Traveled to: DePaul University Art Museum, Greencastle, IN; Illinois State University, Normal, IL; Skidmore College, Schick Gallery, Saratoga Springs, NY; The Newcomb Art Gallery, Tulane University, New Orleans, LA)
The Fifth Annual Altoids Curiously Strong Collection, traveling exhibition: Consolidated Works, Seattle, WA; Soo Visual Arts, Minneapolis, MN; Art Center, South Florida, Miami, FL; Atlanta College of Art, Atlanta, GA; The New Museum, New York, NY
Urban Aesthetics: California Artists 2003, The African American Museum of Art, Los Angeles, CA
2002
Lateral Thinking, San Diego Museum of Contemporary Art, La Jolla, CA
Persoenliche Plaene, Kunsthalle Basel, Basel, Germany
Mass Appeal: The Art Object and Hip Hop Culture, Gallery 101, Ottawa, Canada (Traveled to: Montreal Arts Intercultires, Montreal, Canada; The Kyber Center for the Arts, Halifax, Canada; Owens Art Gallery, Sackville, Canada)
Prophets of Boom, Kunsthalle Baden Baden, Baden Baden, Germany
Unjustified, Apex Art, New York, NY
2001
One Planet Under a Groove, Bronx Museum, New York, NY (Traveled to: Walker Art Center, Minneapolis, MN; Villa Stuck, Munich, Germany)
Profiler, Kunstlerhaus Bethanien, Berlin, Germany
Prosthetics, Camouflage & War, Adamski Frehrking Wiesehoefer Gallery, Koln, Germany
Superman in Bed, Museum Am Ostwall, Dortmunt, Germany
Rappers Delight, Yerba Buena Center for the Arts, San Francisco, CA
2000
Video as Female Terrain, Landesmuseum Joanneum, Graz, Austria
Sitegeist, Porter Troupe Gallery, San Diego, CA
Pierogi Flat Files, Post Gallery, Los Angeles, CA
Veni, Vidi, Video, Kunstfaktor, Berlin, Germany.
1999
Paradise 8, Exit Art, New York, NY
Spaceship Earth, Art in General, New York, NY
Permanent Collection of 1999, San Diego Museum of Contemporary Art, La Jolla, CA
I, Me, Mine, Luckman Fine Arts Gallery, Los Angeles, CA
1998
Warming, The Project, New York, NY
Triangle of Nice, Book of Lies, Vol.II, Los Angeles and Fullerton, CA.
Round 9, Project Row Houses, Houston, TX.
1997
1997 Annuale, LACE, Los Angeles, CA
Uncommon Sense, MOCA’s Geffen Contemporary, Los Angeles, CA
Kwangju Biannale, Kwanju, Korea
Fantasy, Desire and Memory, Porter Troupe Gallery, San Diego, CA
1996
9 Hours at Bliss, Bliss Gallery, Pasadena, CA
Open House, Williamson Gallery, Art Center College of Design, Pasadena, CA
AWARDS
2015
Malcolm McLaren Award, Performa 15, New York, NY
2013
Rauschenberg Residency, Robert Rauschenberg Foundation, Captiva, FL
2007
United States Artists Fellowship
2006
William H. Johnson Award
ArtPace Residency, San Antonio, TX
2005
Joyce Award, Chicago, IL
Creative Capital Grant, New York, NY
1999
Skowhegan School of Painting, Skowhegan, ME
1998
The Banff Center for the Arts, Banff, Alberta, Canada
Project Row Houses, Houston, TX
Edgar Arceneaux
Beyond the Great Eclipse: 1000 Riot
2009
Direct to plate
photogravure etching and
aquatint.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Burn Baby Burn
2009
Direct to plate
photogravure etching and
aquatint.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Full Spectrum One
2009
Direct to plate aquatint edition varieé with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Full Spectrum Three
2009
Direct to plate aquatint edition varieé with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Full Spectrum Two
2009
Direct to plate aquatint edition varieé with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Shadow Form One
2009
Direct to plate aquatint etching
with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Shadow Form Three
2009
Direct to plate aquatint etching
with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Impossible Perspective Shadow Form Two
2009
Direct to plate aquatint etching
with chine collé.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
Beyond the Great Eclipse: Newsweek The Riots In Color
2009
Direct to plate photogravure etching
and aquatint.
Somerset white paper
Image size 18" x 13½"
Paper size 25" x 17½"
Edition of 20
Edgar Arceneaux
1968
2005
Soft ground etching with aquatint.
Rives BFK paper
Image size 26 ½" x 35 ½"
Paper size 36" x 44"
Edition of 30